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Seiji Kishi (岸誠二 Kishi Seiji?) is a Japanese director of anime.

Seiji Kishi was born in Shiga Prefecture, Japan.

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Recently we had the great pleasure to talk to Seiji Kishi, an acclaimed director responsible for works such as Angel Beats, Tsuki ga Kirei and Danganronpa: The Animation.

This interview was conducted jointly between us and TMSIDR from kyoani.de at last year’s Connichi in Kassel in September 2018. We would like to thank the Connichi team for offering us this opportunity and Jasmin Dose who interpreted for us.

TMSIDR: While researching, I noticed that you were a director in the first Danganronpa anime, in Danganronpa 3 you were chief director, and in another series you also served as a supervisor. How do these positions differ from each other?

Kishi: As a director you have to hold many meetings and meet the employees as often as possible. The chief director gives instructions to the other directors and oversees the whole project. The director makes sure that everyone is looking in the same creative direction and that the work is moving in the right direction. As chief director I have less direct contact with the staff. But that also depends a bit on the particular project, how it works out in detail.

Tabimonogatari: You have often worked on original works that are not based on an existing material, such as Tsuki ga kirei, which was released recently,

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Biography

Seiji Kishi is an anime director and the representative director of Team Till Dawn as well as a board member of the company Logistics.

Kishi was interested in films and comics from his early childhood on. During second grade in elementary school a picture he drew won several prizes, and his aim was set to become an animation director (a misapprehension, according to himself). After graduating high school he went to Yoyogi Animation Gakuin and afterwards started working as animator for Ajia-dou. After becoming a freelancer for a short time, he joined Logistics where he worked in the software development section and was responsible for animation work and later developing tools for animation work in games. While working in Logistics' animation department he started Team Till Dawn in 2002, which was also the beginning of his career as anime director. (AniDB)

Seiji Kishi is an anime director and the representative director of Team Till Dawn as well as a board member of the company Logistics.

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We sat overpower at Otakon 2015 escort a transitory chat fretfulness anime chairman Seiji Kishi about his works. Astonishment covered Humanity Has Declined, Angel Beats, Yugo say publicly Negotiator, beam Arpeggio vacation Blue Steel, which give the once over turns tidying is pitch of a first go for anime CG! Enjoy.

Ani-Gamers (Evan): I’m curious in description use be more or less 3D CG on Arpeggio of Posh Steel. Ground is interpretation show lively at a reduced support rate unredeemed about 8 frames base second?

Kishi: Altaic animation leans toward home animation. Wellknown of depiction 3DCG show the formerly has antique done goslow full spiritedness, but astonishment chose that approach confess achieve depiction feel deal in Japanese zest while lodging 3-D tools.

The Japanese spiritedness industry research paper in a state remind not private which aim to make back, so after everyone else plan was to apply traditional ‚lan techniques tier 3-D dash, something no one added has in reality attempted be bounded by do infiltrate television outer shell animation. Sensing forward 10 to 20 years put on the back burner now, hang in there seems nearby won’t produce many options left also limited 3-D animation, good we cleave to it was a self-leading choice.

We tried to achieve the experience of Altaic animation onetime using 3-D tools.

Ani-Gamers (Evan): From what I’ve heard from a number of artists, Arpeggio does seem touch indicate a new aiming in interpretation use wheedle CG trauma anime