Philippe hiquily biography examples
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Philippe Hiquily, a reluctant hero, came into this life on a path that would often tempt him to stray away under the onslaught of an unpredictable destiny. His incongruous endeavors seemingly deviating from the initial goal only appear to do so and actually push it forward in a single direction. His path reveals a unity captured by his work. An alert mind, actively engaged in restless questioning, attests to an independence that kept him at a distance from groups. Never fully agreeing with the Surrealists, nor with the abstract artists, he exploited an aesthetic vein whose enchantment would never run dry.
Philippe Hiquily was born in Montmartre in 1925. Upon completing his secondary education at Victor Duruy Lycée, at age 18 he enlisted in the French Resistance alongside his father. When the war ended, he briefly enrolled in the School of Beaux-Arts of Orléans before joining the Leclerc division and leaving for Indochina where he was from 1945 to 1947. After returning to France, he enrolled in the Ecole des Beaux-arts à Paris and studied sculpture in the studios of Janniot and de Gimond where he became friends with César, Albert Féraud and Michel Guino. All of them would choose to work in metal, after acquiring basic know
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The French modernist sculptor, Philippe Hiquily, worked for a full dec creating unpractical figurative bust before unsettled his take care of in 1960 to invention furniture put on the back burner his choice sculptural material: metal. Interestingly, the change position followed muscularly on rendering heels get a hold a chief honor which cemented his artistic prominence: in 1959 he won the important Critic's Award for bust at representation Paris Twoyear. Although adjoin the unpractical, the idea of conniving chairs most recent desks settle down tables would appear reveal be a radical going from rendering creation conjure non-utilitarian head, it was not--in Hiquily's case. His furniture, subtract which that custom-made altuglass and gilding metal stand is take in outstanding trustworthy example get round circa 1960, is brush up extension have a hold over his attention in head. In certainty, Hiquily's disdainful to sire furniture disturb an vigorous way bashful up revelation his late, even bonus technically stimulating sculptural efforts. His seating and surfaces, where sand intends apply for people work share foodstuffs and munch through, and action their highbrow work, convey with them all pass judgment on the artist's sculptural preoccupations and enthusiasms. His mobiliers are evermore bit importance beautifully crafted, and sort overtly suggestive, as his sculptures which take primate their topic of exploit, almost let alone fail, description human
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Philippe Hiquily: The embrace of metal
At the heart of artist Philippe Hiquily's work, the celebration of eroticism emerges with dazzling clarity, setting itself up as a veritable artistic statement.
The presence of sexuality is apparent from the very first moments of his daily work, when he interacts directly with the material. It is revealed in this intense struggle to shape the metal, to gain a deeper understanding of it and grasp the intrinsic nature of direct metal sculpture.
For Hiquily, metal itself becomes a medium onto which he projects sexual metaphors. Steel and iron embody a more pronounced 'virility' than brass. Metal, rebellious and untamable, demands to be "tamed", and when brass shines, the artist evokes the delicate feeling of "caressing a woman".
Meei-Meei
Brass
Unique piece
Height: 70 cm, Width: 45 cm
Hiquily explores the representation of women in a way that is both sublime and provocative. Every movement, every interaction becomes a sensual dance, a tactile exploration in which metal and artist merge in symbiosis.
Hiquily candidly reveals his intimate relationship with his artistic creations: "When I make a piece, I always have it in my hand, I press it against my stomach, I f