Maria cristina heller biography of michael

  • BIOGRAPHY I STAR IN ENGLISH AND ITALIAN.
  • I'm fluent in English and Italian, I'm based in Rome & in Los Angeles I was born in Trieste on the North Eastern border of Italy.
  • MariaCristina was born and reared in Trieste, Italy,not far from Venice.

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    Languages Italian (mother tongue), Land (fluent), Nation – Land (fluent), Romance (good), Nation (basic)

    Dialects Friuli-Venezia Giulia (native dialect), Venetia (native dialect), Emilia-Romagna (fluent), Istria (fluent), Lombardy (fluent), Tuscany (fluent), Ticino (good)

    Accents Italian (native accent), Lombardian (native accent), Spanish (native accent), Italian (native accent), Latin Indweller (very good), Romagna (very good), Italian (very good), American (good), French (good), Campania (Italy) (basic), Slav (basic)

    Dance Argentinian tango (good), Ballroom (good), Latin English dance (good), Period room dance (good), Rock 'n' roll (good), Salsa (good), Standard advocate (good), Move dance (good), Tango (good), Waltz (good), Dance rivalry (basic), Foxtrot (basic)

    Singing Lay (good), Doldrums (good), Realm (good), Tribe (good), Contemporary (good), Call (good), Scarp (good), Regular folk (good)

    Vocal pitch / Dubbing absolutely Alto

    Sports Skiing (very good), Athletics (good), Basketball (good), Cycling (good), Jogging (good), Swimming (good)

    Driving licences / Other permits Driver’s joggle car (very good)

    Other Skills Improvisation, Newspaperman, Narration, Lyricist, Storytelling, Translator

  • maria cristina heller biography of michael

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    Books by Michael C. Heller

    Articles by Michael C. Heller

    As an axiomatic condition of sound, loudness is implicated at all levels of aural perception. Eve... more As an axiomatic condition of sound, loudness is implicated at all levels of aural perception. Ever in contest, loudness asserts its importance in noise ordinances and stage whispers, on the battlefield and by the infant’s bedside. Yet despite its pervasiveness, loudness remains among the least-analyzed components of the sonic encounter. Focusing on musical applications and listener accounts, this article considers the role of loudness as a generator of sonic affect, situating it within a matrix of psychoacoustic and phenomenological processes. The essay distills three (non-exhaustive) types of commonly reported loudness-effects commonly, which are dubbed “listener collapse,” “imagined loudness,” and “noise occupation.” A final section applies these effects to two recent theories of musical aesthetics: Michel Poizat’s operatic “cry” and Fred Moten’s discussion of “Aunt Hester’s scream.” Though multiple levels of loudness exper

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    Maria Cristina Heller

    MariaCristina was born and reared in Trieste, Italy,not far from Venice. Trieste is a complex multi-ethnic town on the north eastern border of Italy. She began her career very young on the live stage and as an on-air presenter on many live shows for RAI. She was hired by Raimondo Vianello for his sitcom "Casa Vianello" the most successful sitcom ever produced in Italy,where she played Valeria,the tempting young woman living on the top floor.This nationally televised character on a hit television show gave her early success.

    In the cinema she worked with Italian Masters:Castellano and Pipolo,Pupi Avati,Dario Argento,Alessandro Benvenuti and she had starring roles in many television series,for both drama and comedy. Since she moved to LA she worked in many international projects between America and Europe, such as:"Jesus"for CBS,the feature film "Angels and Demons"with director Ron Howard, the miniseries "Barabbas",etc. In Europe she is part of the cast for the french drama series "Odysseus" In the US she recently appeared in "Law and Order" for NBC and in the comedy series "Backpackers" as recurring guest star for CW network. She is also the presenter/host for TeleItalia Network in L