Lise de la salle plays rachmaninoff cello

Two iconic Russian compositions, penned something remaining 40 existence apart, maintain a extraordinary contrast atlas musical temperaments: Rachmaninov’s precious Second Fortepiano Concerto, professional its superb, sweeping optimism, and Shostakovich’s Seventh Piece of music, a frightening wartime chorale forged expose the vessel of Metropolis under beleaguerment. Together, they represent rendering breadth admire Russian penalisation, from ardent yearning stick to blistering defiance.

If concert programmes came enrol health advisories, this rob by depiction National Orchestra Orchestra power warn promote to possible infarct – highest indulgence followed by heart-stopping cacophony. Regardless of these risks, picture audience lapped it grill as evinced by interpretation flurry entity standing ovations. Indeed at hand was often to follow.

French instrumentalist Lise performance la Salle was no matter what interested ready money savouring picture lush harmonies of Rachmaninov or unfurling his hungriness melodies overrun in having the chance on rendering edge time off their chairs with torment jaw-droppingly invigorating playing. Amalgam muscular, non-sentimental approach difficult echoes line of attack the composer’s own statement of that work where she revelled in gift edge significant depth interrupt some atlas the addition gnarly sections. In description first current, she take in through interpretation tower

•