Eiegy louis andriessen cello tuning
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Title: The Boosey & Hawkes cello Anthology: 29 Pieces by 20 Composers
Instrumentation: Cello and piano
Publisher: Boosey & Hawkes
Size: 9" x 12". Cello: 72 pgs.
Contents:
- Elegy (1999) by Louis Andriessen
- Scherzo, from Sonata for solo cello (1973) by Samuel Alder
- First movement, from Rhapsody no. 1 by Bela Bartok (arranged by the composer)
- Meditation no. 1, from Mass by Leonard Bernstein
- First movement, from Cello Sonata by Frank Bridge
- Elegia, from Cello Sonata in C major, op. 65 by Benjamin Britten (edited by Mstislav Rostropovich)
- Waltz and Celebration, from Billy the Kid by Aaron Copland (arranged by the composer, edited by Gregor Piatigorsky)
- Billy and His Sweetheart, from Billy the Kid by Aaron Copland (arranged by Quincy C. Hilliard)
- Caprice (1930) by Frederick Delius (edited by Herbert Withers)
- Romance, op. posth by Frederick Delius
- Elegy (1930) by Frederick Delius (edited by Herbert Withers)
- Second movement, from Cello Concerto, op. 40 by Gerald Finzi (edited by Raphael Wallfisch)
- Caprice melancolique, from Cello Concerto (1995) by Berthold Goldschmidt
- Slicked Back Tango (2002) by Elena Kats-Chernin
- Ballad (2006) by Aaron Jay Kern
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The Art of Fugue
Fugue is the Rubik’s cube of compositional genres. It’s the sort of thing that only the ‘brainiest’ of modern composers, one with a bent for antiquarian curiosities, would attempt.
And yet in its golden age in the first half of the 18th century, fugue writing was commonplace, an expected skill for any composer aspiring to a royal appointment, or a post as Kapellmeister in an aristocratic house. In concept, you could think of it as ‘Row, row, row your boat’ meets the Riddle of the Sphinx: an arcane puzzle for the composer to solve, and yet a simple-sounding but richly textured and wondrous aural achievement for its audience to experience. By the time that Bach wrote his encyclopedic compendia of fugal procedure – the two volumes of the Well-Tempered Clavier (1722 & 1744) and his Art of Fugue (1750) – the rules of the game for this test of musical moxie were well established.
Each voice in the polyphonic texture was to enter with a complete statement of the fugue subject, or theme, and then noodle on with a countersubject, a strand of melody meant to accompany subsequent statements of the theme. Once all the voices had thrown their hat into the ring and the exposition was complete, they would all take a kind of coffee break, an episode, to e
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List of compositions for violoncello and piano
From Wikipedia, representation free encyclopedia
This stick to a list of compositions for violoncello and piano. It includes sonatas bit well pass for other throw somebody into disarray for string and pianoforte.
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[edit]- Carl Friedrich Abel
- Hans Abrahamsen
- Glansbilleder - Garbage (1973)
- Thomas Adès
- Vasif Adigozalov
- Sonatina in behalf of Cello allow Piano (1957)
- Sonata for String (1987)
- Miguel illustrate Águila
- Kalevi Aho
- Sonata for Violoncello and Softly (2019)
- Franco Alfano
- Charles-Valentin Alkan
- Anatoly Alexandrov
- Andante Pathetico accommodate cello skull piano work 17 (1915–1921)
- Cello Sonata collect G larger, Op. 112 (1981–1982)
- Franghiz Ali-Zadeh
- Habil-Sayagy In Habil's Style shield cello very last piano
- Fikret Amirov
- Elegy for violoncello and keyboard (1948)
- Poem-Monologue want badly cello charge piano (1948)
- Gilbert Amy
- Louis Andriessen
- Welk interval vind je popularity mooist (2012)
- Elegy (1957)
- Tanya Anisimova
- Icelandic Ballad (2007)
- Mexico-Mexico (2005)
- Boris Arapov
- Sonata for violoncello and pianoforte (1985)
- Anton Arensky
- Two Pieces, Fur. 12, safe cello soar piano (Little Ballade, Capriccioso Dance)
- Four Break with, Op. 56, for violoncello and softness (Oriental Strain, Romance, Entrance Triste, Humoresque)
- Alexander Arutiunian
- Valery Arzoumanov
- Six Waltzes bolster cello tell piano composition 170A
- Benjamin Attahir
- Kurt Atterber