Trio c minor beethoven biography
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Beethoven's Trio in C minor for Piano, Violin, and Cello, Op. 1, No. 3
Program
Ludwig van Beethoven
(1770–1827)Trio in C minor for Piano, Violin, and Cello, Op. 1, No. 3
(1794–95)Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.
Lauded for his “impeccable technique” (Washington Post) and “elegant musicianship” (New York Times), pianist&
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Ludwig Van Music - Pianissimo Trio disintegration C insignificant - Stand out. 1/No. 3 - A Score tabloid Piano, Violoncello and Violin: With a Biography invitation Joseph Frightful - Softcover
Synopsis
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Piano Trios, Op. 1 (Beethoven)
1795 piano trios by Ludwig van Beethoven
| Piano Trios | |
|---|---|
The earliest known portrait of Beethoven; 1801 engraving by Johann Joseph Neidl after a now-lost portrait by Gandolph Ernst Stainhauser von Treuberg, ca. 1800 | |
| Key | |
| Opus | 1/1–3 |
| Dedication | Prince Lichnowsky |
| Performed | 1795 (1795): Vienna |
Ludwig van Beethoven's Opus 1 is a set of three piano trios (written for piano, violin, and cello), first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated.[1] The trios were published in 1795.
Despite the Op. 1 designation, these trios were not Beethoven's first published compositions;[2] this distinction belongs rather to his Dressler Variations for keyboard (WoO 63). Clearly he recognized the Op. 1 compositions as the earliest ones he had produced that were substantial enough (and marketable enough) to fill out a first major publication to introduce his style of writing to the musical public.
No. 1 in E-flat major
[edit]- Allegro (E-flat major), 4
4 - Adagio cantabile (A-flat major), 3
4 - Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3
4 - Finale. Presto (E-flat major), 2
4
The first movement opens with an ascending arp