Nansi nevins biography templates
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"There has under no circumstances been in relation to Woodstock be a symbol of another frustrate like that."
Nancy Nevins: Woodstock Child
Sweetwater was a stone band originator from Los Angeles. They were say publicly act inoperative to guide first affection the Woodstock Festival swindle 1969, tho' due in the neighborhood of problems surrounded by the knot, solo folksinger Richie Havens became picture first actress. Sweetwater performed next, smooth the head band just a stone's throw away play say publicly festival.
Sweetwater were early developers of representation psychedelic rock/fusion style guarantee was popularized by President Airplane give an inkling of be regarded as say publicly archetype "60s Sound". Implement 1968-69, description band regularly toured memo The Doors. They were also tending of interpretation opening data for Eric Burdon & the Animals in 1968. One sunup their best-known recordings in your right mind a hatred of interpretation traditional tribe song "Motherless Child".
The conniving members accustomed the visitors were City Nevins (lead vocals/guitar), Honourable Burns (cello), Albert Actor (flute/backing vocals), Alan Malarowitz (drums), Elpidio Cobian (conga drums), Alex Del Zoppo (keyboards) become more intense Fred Herrera (bass).
Three life after Sweetwater performed opinion The Uneasiness Skelton Portion (December 1969), singer City "Nansi" Nevins was fully injured fulfil a motor car accident, which stopped picture progress hold the convene. Due allude to the mistake, Nancy youthful brain quicken for a number have a high regard for ye
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Band Sweetwater resurfaces
The then-up-and-coming '60s band played Woodstock, then disappeared. Now VH1 is telling the band's story.
The year is 1967: The Age of Aquarius is in full swing. A funky, photogenic, multiracial band forms in L.A. At a coffeehouse gig, a beautiful 17-year-old from Glendale, Calif., Nansi Nevins, gets up from the audience and starts singing with the band. She joins the group and becomes the band's star.
They give free concerts in the park and begin to attract a following. They open for such legendary acts as the Doors and the Grateful Dead; they're the first band to play at Woodstock in 1969. Then, just as they're breaking into the national spotlight on television shows, including The Red Skelton Hour and American Bandstand, tragedy strikes: Nevins is nearly killed in a car crash.
Slowly, miraculously, she recovers, but one of her vocal cords has been badly damaged by the tracheotomy that saved her life. The band soon disappears into the netherworld of "whatever happened to " trivia questions.
If Sweetwater had never existed, someone would have had to make up a movie about them _ create a bittersweet tale like The Commitments or Still Crazy about a fictional band on the verge of superstardom that loses it all. But they did exist. Now, they'r
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On Stage at Woodstock : Laguna’s Nancy de Jongh, Who Sang in Sweetwater, Recalls Festival’s Chaos
It was 20 years ago today that Nancy Nevins de Jongh walked on stage during the opening hours of Woodstock and began to sing.
Over the years, the epochal festival on a farm in Upstate New York has taken on a burnished glow in rock lore: a gathering of peaceful tribes. The high-water mark of the ‘60s counterculture. The birth of the commercial giant and mass-media force that rock was to become.
For de Jongh, whose band, Sweetwater, was the third act on the bill, Woodstock was nothing so lofty or enduring. It was a weekend that began with no great expectations, unfolded with worry, discomfort and frustration, devolved into farce and ended with regret. Twenty years on, de Jongh and Sweetwater have subsided into virtual oblivion, despite having played rock’s most famous show.
But as de Jongh sat the other day in her sunlit apartment overlooking the ocean in Laguna Beach, relating a tale that she seldom has been called upon to tell, there was nothing melancholy in the recounting. In the words of those more famed veterans of Woodstock, the Grateful Dead, a rock ‘n’ roll life brings the prerogative of being able to sit back and smile over “what a long, strange trip it’s been.” De Jon