La le con particuliere francis lai biography
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Francis Lai A touch of French romanticism Friends or associates, all use the same words when it comes to discussing Francis Lai’s personality: humbleness, tact and warmth. It is commonly admitted that Francis Lai composes as he is. Since the 60’s, he has always written music for movie soundtracks or artists regardless of the media pressure or the trends and without any desire for honours or rewards. His work is literally impressive and leaves you meditative about the path of a melodist with an outstanding instinct who set his incredible talent from the French Riviera to the Hollywood hills. Son of Italian descent horticulturists, Francis Lai was born in the up-country of Nice, the capital of the French Riviera in 1932. He was initiated into accordion by his cousin and started to play professionally at the age of 16 in hoedowns and in local cabarets. He was attracted to Jazz and became familiar with improvisation, which lead
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Francis Lai
French composer (1932–2018)
Not to be confused with Francis Wai.
Francis Albert Lai (French:[fʁɑ̃sislɛ]; 26 April 1932 – 7 November 2018) was a Frenchcomposer, noted for his film scores. He won the 1970 Oscar for Best Music, Original Score and the Golden Globe Award for Best Original Score for the film Love Story. The soundtrack album went to No. 2 in the Billboard album charts and the film's theme, "Where Do I Begin", was a hit single for Andy Williams.
Life and career
[edit]Lai was born on 26 April 1932, in Nice, France, the son of market gardeners of Italian origin.[1][2][3] From a very early age, Lai was fascinated by music and he played first in his local regional orchestras. In Marseilles he discovered jazz and met Claude Goaty, a singer of popular songs in the 1950s.[4]
While in his twenties, Lai left home and followed Goaty to Paris, where he became part of the Montmartre music scene. At the "Taverne d'Attilio" on the Place du Tertre in Montmartre, Lai met Bernard Dimey [fr] with whom Lai composed his first song, the start of a partnership which would produce over one hundred songs. After a short period with the orchestra of Michel Magne, Lai became an accompanist f
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