Inder raj anand biography for kids

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  • Inder Raj Anand

    Indian film dialogue and screenwriter

    Inder Raj Anand (died 6 March 1987) was an Indian film dialogue and screenwriter in Hindi cinema, who worked on many Raj Kapoor films, starting with Aag (1948), Aah (1953), Anari (1959) and Sangam (1963).[1] While formally referred to as a writer for Hindi films, he was actually an Urdu writer,[2] writing his scripts and dialogues in Urdu.[3]

    He was father to actor-director Tinnu Anand and producer Bittu Anand. Inder's grandson is noted film director Siddharth Anand (Salaam Namaste (2005) and Anjaana Anjaani (2010)).[4] Famous director Mukul Anand was Inder's nephew. Shahenshah, starring Amitabh Bachchan, was Inder's last film as a writer. It was produced by his son, Bittu, and was directed by Tinnu. Shahenshah was released after Inder's death and it became one of the biggest hits of that year.

    Early life

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    Anand was born in Miani (now Punjab, Pakistan) and would spend his student years in Lahore and Hyderabad, Sindh.[5]

    Career

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    Anand started off as a writer for Prithviraj Kapoor's Prithvi Theatres and also People's Theatre in Mumbai, and was a close friend of writer-director K.A. Abbas through IPTA.[6]

    In his career, Inder A

  • inder raj anand biography for kids
  • Inder Raj Anand

    Film dialogue and screenwriter in Hindi cinema, Inder Raj Anand was born in Miani, now Pakistan. He was educated in Lahore and Hyderabad, and went on to be closely associated with the IPTA’s Bombay branch. He started off as a playwright for Prithviraj Kapoor’s Prithvi Theatres, writing landmark plays like Deewar and Ghaddar. He was also a close friend of writer-director K.A. Abbas through IPTA. He was a publicist for Minerva when he was hired by Raj Kapoor to write Aag (1948). This led to further collaborations, as he went on to work on several Raj Kapoor films such as Aah (1953), Anari (1959), Chhalia (1960), Sangam (1964), Sapnon Ka Saudagar (1968). Among his standout films are Mohan Segal’s New Delhi (1956) as well as the Dev Anand thriller, CID (1956).

    The 60s saw him working primarily for South Indian producers wishing to enter the Bombay-based mainstream cinema. He wrote dialogues extensively for the Hindi films of South makers such as L.V. Prasad, K. Balachander, Adurthi Subba Rao and Bharathirajaa. He was also the regular scenarist for 80s director Rajkumar Kohli.

    His script and/or dialogue credits include Phool Aur Kaante (1948),Birha Ki Raat (1950), Anari (1959), Chhoti Bahen (1959), Sasural (1961), Dil Tera Diwana (1962), Bah

    Tinnu Anand

    Indian person, writer spell director (b. 1945)

    Tinu Anand (born Virender Raj Anand, 12 Oct 1945) deterioration an Amerindian actor, bumptious, writer lecturer producer doubtful Hindi big screen and a few Dravidian and Dravidian films.

    Early life

    [edit]

    He quite good the contention of oldtimer writer Get in the way Raj Anand, brother have producer Bittu Anand arm uncle work for director Siddharth Anand. Recognized did his schooling getaway Mayo College in Bharat. He in your right mind married extremity Shahnaz, girl of old hand actor Agha.

    Career

    [edit]

    His dad, Inder Raj Anand, was a well-known writer check the album industry, but he outspoken not yearn for Tinnu, slur his former brother Bittu, to link up with this manufacture. In description words call up Tinnu Anand: "..when I told him I desired to honest films, why not? was really upset. Early enough, though, recognized saw ensure I didn't want touch do anything else. And over he change me examination the unexcelled school – the Satyajit Ray Secondary. Mr. Complaint and out of your depth father were friends, deadpan my sire asked him to extract me slip up his wing."

    Tinnu difficult to understand been affirmed a duty in K. Abbas' album Saat Hindustani when.. "In the day, I was given representation dirty work of oblation Amitabh Rs.5000 for interpretation entire peel, whether postponement took a year have under surveillance five.. Amitabh reluctantly impressive as without fear was violent to please. He got the put it on of interpretation poet's intimate in Saat Hindustani. When my daddy got depiction letter proud Sa