Hikari oe biography of michael
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Oe, Kenzaburo 1935-
PERSONAL: Surname is pronounced "Oh-ey"; born January 31, 1935, in Ehime, Shikoku, Japan; married; wife's name Yukari; children: Hikari Pooh, one other child. Education: Tokyo University, earned degree (French literature), 1959.
ADDRESSES: Home—585 Seijo-machi, Setagaya-Ku, Tokyo, Japan.
CAREER: Novelist and short story writer, 1952—.
AWARDS, HONORS: Akutagawa prize, Japanese Society for the Promotion of Literature, 1958, for novella Shiiku; Shinchosha literary prize, 1964; Tanizaki prize, 1967; Europelia Arts Festival Literary Prize, 1989; Nobel Prize for Literature, 1994; Order of Culture, Japanese government (declined), 1994.
WRITINGS:
IN ENGLISH
Shiiku (novella; title means "The Catch"), [Japan], 1958, translation by John Bester published in The Shadow of Sunrise, edited by Saeki Shoichi, [Palo Alto, CA], 1966.
Memushiri kouchi (fiction), [Japan], 1958, translation by Paul St. John Mackintosh and Maki Sugiyama published as Nip the Buds, Shoot the Kids, Marion Boyars (New York, NY), 1995.
Kojinteki na taiken (fiction), [Japan], 1964, translation by John Nathan published as A Personal Matter, Grove (New York, NY), 1968.
Man'en gannen no futtoboru (fiction), [Japan], 1967, translation by John Bester published as The
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Kenzaburō Ōe
Japanese writer and Nobel Laureate (1935–2023)
Kenzaburō Ōe (大江 健三郎, Ōe Kenzaburō, 31 January 1935 – 3 March 2023) was a Japanese writer and a major figure in contemporary Japanese literature. His novels, short stories and essays, strongly influenced by French and American literature and literary theory, deal with political, social and philosophical issues, including nuclear weapons, nuclear power, social non-conformism, and existentialism. Ōe was awarded the 1994 Nobel Prize in Literature for creating "an imagined world, where life and myth condense to form a disconcerting picture of the human predicament today".[1]
Early life and education
[edit]Ōe was born in Ōse (大瀬村, Ōse-mura), a village now in Uchiko, Ehime Prefecture, on Shikoku.[2] The third of seven children, he grew up listening to his grandmother, a storyteller of myths and folklore, who also recounted the oral history of the two uprisings in the region before and after the Meiji Restoration.[3][2] His father, Kōtare Ōe, had a bark-stripping business; the bark was used to make paper currency.[2] After his father died in the Pacific War in 1944, his mother, Koseki, became the driving force behind his education, buying him books including
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